Monday, December 03, 2007
In at the deep end
The first time I visited SeaWorld in Florida was in 1975. One of the highlights of that particular theme park at the time was the performance of "Shamu the Killer Whale." (Shamu never actually killed anyone but he/she did manage to soak more than a few people; the naive and the adventurous who sat in the front rows.) I don't know how many Shamus SeaWorld will have "employed" over these last 30 or more years but as far as I know Shamu is a still a big attraction.
OK - I know... you're wondering... why the photoshopped picture of my fiddle when I'm talking about killer whales? But I'm coming to that. Eventually. And it has nothing to do with being naive or adventurous.
No... wait a minute... it has everything to do with being both naive and adventurous. But I will come to that in a moment.
Before I do, let me tell you why I thought the Shamu performance was so good. It had nothing to do with the whale, as it turns out.
When we arrived at the open air "Shamu" arena, with its gigantic whale pool, we were greeted by a SeaWorld employee who ushered us towards the seating area. Those who were already in their seats, or on the "bleachers" if you prefer, were laughing loudly and enthusiastically. We had no idea why, as the show hadn't started. In fact it was a total mystery...
.... until we had taken our seats and could look down on the next group of people to enter the area. Like ourselves they were met by the "usher" who pointed the way to the seating areas.
But this "usher" was in fact an expert mime artist who, within a few split seconds, was able to sum up something distinctive about the way that a person walked or gestured. As the 'usher' pointed out the way ahead he would step behind the unsuspecting stooges and mime hilarious caricatures of them. I tell you, he was a master.
And now to the point...
.... on Saturday I had the amazing privilege of playing with the New Scottish Orchestra for their annual Christmas Concert. It was a fantastic experience, even though the first time I saw any of the music was at the one and only rehearsal in the afternoon, and even though I had somehow been placed in the first violins, and even though most of the music was in five or six flats and even though some of the pieces had all sorts of 'impossible' runs and arpeggios in them, and ... well, let's just say, too many notes!!! (I'm only talking about myself, by the way, most of the players around me seemed to be doing fine.)
Anyway... this is where Shamu came to mind. For I found myself from time to time doing a little bit of expert miming and caricaturing, even occasionally 'playing' the violin with the bow about half an inch above the strings!! I did a passable impersonation of a violinist. Don't tell anyone now.
Seriously, though, in spite of the occasional difficulties of my sight reading, it was a marvellous evening. One of the soloists in particular had a fantastic voice, the baritone, Terence Ayebare. If he doesn't make a big name for himself in the classical music scene in the near future I will want to know why - although, to be fair, Terence Ayebare is a pretty big name already.
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2 comments:
Thanks for visting my blog. Violins are wonderful things to photograph aren't they? I once got to photograph some in a maker's workshop and it was a wonderful experience.
I laughed about your mime routine, I'm learning to play the piano, very slowly and still very badly, I think a piano player would be in trouble mimimng!
I was at a East of Scotland opera concert in the Canongate on Friday, and the pianist there was just amazing, such supple hands I couldn't stop watching her.
Hi there. Thank you for the reciprocal visit. Good musicians always either inspire me to work harder or make me fell like giving up altogether!! (And often both feelings simultaneously.)
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